|
|
"“Keys to the Palace” stands out as a major work in Dessiderium's discography, consolidating their reputation as a complete and visionary band."
|
5/5
|
|
|
|
Dessiderium - the solo project of talented multi-instrumentalist Alex Haddad - returns with “Keys to the Palace”, an album that marks a new stage in its exploration of progressive and melodic metal. Released on March 14, 2025 on Willowtip Records, this sixth opus is an ambitious work, blending progressive death/black metal, symphonic elements and touches of power metal, while exploring introspective and universal themes.
From the very first notes of 'In the Midst of May', the listener is plunged into a complex universe of symphonic elements and progressive structures. The fluid transitions between aggressive and melodic passages are reminiscent of Opeth compositions, particularly in their ability to fuse contrasting atmospheres. The rhythmic changes and haunting melodies create an immersive experience that testifies to Alex Haddad's technical and emotional mastery.
Later, 'Dover Hendrix' takes a more dynamic approach, integrating power metal influences with driving guitars and drums. Piano solos - performed by Thomas Leroy Meier - add a further dimension, evoking the musical versatility of Devin Townsend. This fusion of diverse elements demonstrates Dessiderium's ability to navigate between different genres while retaining a coherent sonic identity.
Equally striking, 'Pollen for the Bees' opens with a luminous piano melody contrasting with darker, more intense passages. This juxtaposition reflects the album's themes of innocence and disillusionment. Enslaved influences are evident in the way the track balances melodic and extreme elements, creating an atmosphere that is both ethereal and powerful.
Finally, the album concludes with the eponymous 'Keys to the Palace', a sixteen-minute masterpiece. The introduction, which blends guitar and piano in luminous harmony, is reminiscent of Devin Townsend (and more specifically of 'Deep Peace'), and sets the scene for a musical exploration rich in twists and turns. Variations in tempo, key changes and layering of instruments create an epic work that sums up the essence of the album. Each segment of the track adds a new dimension, testifying to Alex Haddad's ambitious artistic vision.
The album's main strength lies in Alex Haddad's virtuosity and ability to weave memorable melodies into complex structures. Fans of Cynic, Fallujah or even Ne Obliviscaris will find much to enjoy here. However, the density of the compositions can sometimes be disconcerting, especially on a first listen. Certain passages, notably in 'Magenta', could have been made more concise to maximize their impact.
All in all, “Keys to the Palace” transcends the boundaries of melodic, progressive death/black metal. Alex Haddad reveals an impressive emotional and technical palette, offering listeners an immersive and thoughtful experience. Subtle references to bands such as Opeth, Enslaved and Devin Townsend enrich the album without ever overshadowing Dessiderium's own identity. This album stands out as a major milestone in Alex Haddad's discography, consolidating his reputation as a complete and visionary artist. - Official website
|
|
|
|
|
TRACK LISTING:
01. In The Midst Of May
02. Dover Hendrix
03. Pollen For The Bees
04. A Dream That Wants Me Dead
05. Magenta
06. Keys To The Palace
LINEUP:
Alex Haddad: Chant / Guitares / Basse / Claviers
Brody Smith: Batterie
|
|
| |
|
(0) MIND(S) FROM OUR READERS
|
|
|
|
|
|
|
|
Top of the page
|
| |
|
|
(1) COMMENT(S)
|
|
|
|
|
|
|
|
|
|
READERS
3/5 (1 view(s))
|
STAFF:
4.5/5 (2 view(s))
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
OTHER REVIEWS
|
|
|
|
|
|
| |
|