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Marilyn Manson's opus, with its melancholy gothic melodies, is at once attractive and frightening.
NOISE
- 02/01/2025
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“Nomad”, Richie Kotzen's 23rd solo album, is a compendium of virtuosity and eclecticism that nevertheless lacks the unity to stand out as a must-have in his rich discography.
NEWF
- 02/01/2025
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With “Mood Swings”, Marcus King exposes his inner demons, trading in his guitar talent for a collection of desperately depressive soul tracks.
NEWF
- 30/12/2024
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What if Coheed and Cambria's “Claudio Covers” invited you to a fireside acoustic evening, where each cover becomes an intimate and surprising journey?
CALGEPO
- 20/12/2024
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The publishing frenzy seems to have got the better of Neal Morse's originality. “No Hill for a Climber” does, however, bear witness to a certain savoir-faire, but is that enough for such a big name?
ABADDON
- 18/12/2024
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With ‘The Effect’, the band deliver an album that combines classic rock and controlled cohesion, effective from start to finish.
CALGEPO
- 13/12/2024
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With this mysteriously titled 13th album, The Smashing Pumpkins return to the spirit that surrounded the making of “Siamese Dream” and “Mellon Collie and the Infinite Sadness”.
SAVA
- 10/12/2024
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So rich that it takes many listens to discover all its intricacies, “You Still Got Me” is a testament to a Beth Hart who reaches the heights of her art with great aesthetic freedom.
LOLOCELTIC
- 05/12/2024
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