PROTOCOL: 4 (JAZZ): review / opinion to read on Music Waves

Best known for succeeding Jeff Porcaro for over 20 years behind the drums of Toto, Simon Phillips has also collaborated with a multitude of artists such as Derek Sherinian, Jeff Beck, Gary Moore, Mike Oldfield, The Who and Tears For Fears on the monumental "Seeds Of Love" in 1989. One of the best drummers of his generation, Phillips has devoted himself exclusively to Protocol for the past five years in the company of Greg Howe, himself the author of a dozen solo albums over the past 30 years. The fourth opus that interests us today was released at the end of 2017.

On the menu, jazz (a lot), rock (a little) and above all an old-fashioned fusion that reminds us of Dave Grusin or Lee Ritenour. Of course, the drums are given pride of place on 'Nimbus' and 'Pentagle', on which Phillips' smooth playing is brought to the fore. His solo on the latter is even breathtaking, the brilliant drummer gratifying us with polyrhythms and showing off his immense talent, connoisseurs will appreciate. On the rock side of the force, 'Celtic Run' is a model of its kind, mainly driven by Dennis Hamm's keyboard, the riffs and Greg Howe's extravagant final solo. The osmosis between the four musicians is a real fusion.

All the same, there are a few more homogeneous tracks where Phillips is more in the background, except if you listen carefully, letting Greg Howe, in top shape and devilishly inspired, delight us with dantesque solos such as "Azore" reminding inevitably the master of the genre, Larry Carlton. Equally well-balanced, 'All Things Considered' with its unforgettable bass groove and another magical solo from Howe is sheer delight. While 'Phantom Voyage' and 'Interlude', with their smoothness, let the feeling take precedence over technique for moments of welcomed melodic finesse.

In a sheer jazz spirit, the compositions are based on a simple melodic theme around which the four musicians are brought to the fore each in turn, delivering an impeccable score. The impression of ease is permanent, even purring, until a note, an exchange or a bar that makes one aware of the incredible technical level of the four companions. In the line of the famous references of the genre in the 80's, Simon Phillips delivers his most accomplished "solo" album thanks to skilful compositions and an outstanding interpretation. If it won't be exclusively reserved to pure jazz lovers, given the exceptional level of the interpretation, you'll have to be a fan of the genre to fully appreciate this Protocol "4". And we can't wait for the 5th! - Official website

PROTOCOL

4

GLASS ONYON

JAZZ